+1 - Opium by Marcy Playground immediately comes to mind, even starts with a soft exhale as well. +1 - She Wants Revenge maybe honestly look for a post-punk playlist, a lot of Joy Division-inspired bands try to have as monotone of vocals as possible +1 - primal scream - you're just dead skin to me Primal Scream - You're Just Dead Skin To Me (1) Glen Hansard - Philander (2) Nick Drake - Things behind the sun +1 - Best I could come up with Babygirl - Overbored Now, Now - Prehistoric LSD and the search for god - Starting over (1) Babygirl - Overbored (2) Now, Now - Prehistoric (3) LSD and the Search for God - Starting Over +1 - If you like Mazzy Star give the Cowboy Junkies a listen, too. I'll see if I can find something closer.Ĭigarettes After Sex - Nothing's Gonna Hurt You Baby Meanwhile, listen to some Mazzy Star if you've never heard it. I'm going to dig a bit into some more obscure stuff for something closer to what I think you mean. +4 - Superstar always reminds me of Zodiac, which reminds me of Donovan's "Hurdy Gurdy Man." Also Eliiott Smith gets kind of close to apathetic/ tired sounding, although he's really just got a very calm, sad way of singing: (1) Donovan - Hurdy Gurdy Man - 1968 (2) Elliott Smith: "Angeles" (3) Elliott Smith - Miss Misery Live On Piano 19.Videos in this thread: Watch Playlist ▶ VIDEO It also has a unique psychedelic punk sound this is as a result of the poetic vocal and prepared guitar in the song. This song is loaded with energy, a beat peculiar to a hardcore punk song, and alternate tunings. This song also features a surreal spoken word about a man called Eric and his acid trip. The elements in this song are indie-rock beats and catchy guitar parts. Eric’s TripĪnother great track in the 1988 Daydream Nation album is Eric’s Trip, written and sung by Lee Ranaldo. Hey Joni comprises bright harmonics, shrieking distortion, and a drive to outrace the past. This song features surreal lyrics, which Ranaldo sang, and it sounded distinguished without being irregular. This song title is used as a tribute to Hey Joe, a rock standard Joni Mitchell, a Canadian singer, and songwriter. This song is the second-longest track in the Daydream Nation album. The epidemic discussed in this song was the cause of the War on Drugs, which claimed the lives of about 40% of the black population in New York City in the 80s/90s. Thurston Moore sang about the widespread crack epidemic in New York City in this song. It is the longest track on the Daydream Nation album of 1988. When looking for the song, it indicates the stretching out and extrapolating properties of Sonic Youth The Sprawl is the song. The latter part of this song features broken riffs, a wind-down of pounded guitar strings with noisy but not loud feedback. This song revealed the drone elements of the band. This property was used to express the unbound female desire. The lyrics for the first verse of the song were from the novel by Dennis Johnson, The Stars at Noon. This writer used the term, Sprawl, which is the title of the song, to mean a future megacity stretching from Boston to Atlanta. This song was inspired by the works of William Gibson, a Science fiction writer. The song rounded off with Gordon’s soft and intense vocals. This song features various phases of mellow with hardcore punk and alternate tunings. Kim Gordon was the lead vocalist in this song while Lee and Moore’s dueling cacophonous guitars howl over the high-speed drum beat of Shelley. This song is one of the tracks in the Daydream Nation album of 1988.
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